This year’s Lay Members day was another terrific event, and as always we had a great time.  It was really nice meeting fellow calligraphers.

We have now attended five Lay Member Days and are now getting a better measure of which equipment and materials to take along.  This time around we didn’t have so many new products. We worked hard on bringing the correct quantities and as far as I am aware we did not run out of stock on any items.  Once again the same few nibs, inks and pen holders proved very popular.

People commented on our new stands for the inks, which helped them to find the type of inks and colours they were looking for.  It also made the packing and unpacking much easier

We use to stock Character paper, which was perfect for Copperplate and Spencerian.  However, the paper mill that produced this paper is no longer around.

We have now replaced the Character paper with Conqueror High White Wove Paper.  This is a luxurious, superior quality 100gsm paper with a discrete watermark.

The smooth surface of this paper makes it ideal for Copperplate and Spencerian styles of writing and Ornamental penmanship.

The first group consists of the letters c, e, and o.
These letters are based on the circle shape. This shape is produced with two pen strokes. Visualise a clock face and start the first stroke at approximately the 11, and finish it in an anti-clockwise direction at 5. The second stroke starts again at the 11 and finishes in a clockwise direction on the 5 to complete the letter o.
The first pen-stroke for the letters c and e are the same as the first of the letter o. The second pen-stroke on the c and e are shorter and finish around the 1 position on the imaginary clock face.
Finally, the letter e has a third stroke, starting at the end of the second stroke and finishes when it touches the first stroke.

The next group of letters are d, q, b and p. All these letters combine curved and straight pen strokes. When writing these letters it can be useful to think of the underlying circle shape, which your pen will leave or join at certain points depending upon which letter is being written.
The first stroke of the b starts at the ascender height of the letter, which can be eyed in at just under half the x-height (body height of letters with no ascender or descender). Continue the ascender stroke of the b until it ‘picks up’ the circle shape, follow round the circle until the pen reaches the 5 on the imaginary clock face. The second stroke starts on the first stroke following the circle round until it touches the end of the first stroke.
The letter d is similar to the c except it has a third stroke for the ascender, which will touch the ends of the first and second stroke being for finishing on the write-line.
Letter p starts with a vertical stroke from the x-height down to the imaginary descender line, which is just under half the x-height below the write-line. The second and third strokes are curved, starting on the descender stroke and following round the imaginary circle.
The letter q is almost the same as the d, except it has a descender stroke rather than an ascender stroke.

Letters a, h, m, n, r
All these letters combine curved and straight pen strokes. Once again, think of the underlying circle shape, which your pen will leave or join at certain points depending upon the letter being written.
The Letter h consists of two pen strokes. The first is a vertical ascender stroke. The second stroke starts curved, follows the circle round, then leaves it and becomes straight.
The letter n is produced exactly the same way as the letter h, except the first stroke is not so tall as it starts on the x-height line. The first two pen strokes of the letter m are the same as the letter n. Then a third stroke is added which is identical to the second stroke.
The letter r is also written the same way as the letter n except the second stroke finishes at the point where the circle would have been left and the straight is picked up.
The first stroke of letter a is the same as the second stroke of the letters h, m and n. The second stroke follows the circle. Finally, the third stroke starts at the same point as the second stroke, but is a straight line at a 30° angle and touches the first stroke.

The next group of letters are l, u and t. These letters are straight-forward. The letter l is the same as the first stroke of letter b.
The letter u is also similar to the first stroke of letter b except it starts lower down. The second stroke starts on the x-height line and finishes on the write-line.
Letter t has the same first stroke as letter u. It is completed by a second horizontal stroke.

The following letters k, v, w, x, y and z are made of at least one diagonal pen stroke.
The letter k starts with a vertical ascender stroke, then a second stroke diagonal stroke which joins the vertical stroke. The final stroke is also diagonal and starts where the first and second stroke meet and stops when it touches the write-line. If you look closely you will see it goes further out than the second stroke. This makes the letter look more balanced. If the end of these two pen-strokes lined up the letter would look like it is about to fall over.
Letter v is simply two diagonal strokes and these are repeated to produce the letter w.
The letter y is the same as the v except the second stroke is extended until to create a descender stroke.
Letter x is a little different, you need to create it in such a way that the two stroke cross slightly above the half-way mark on the x-height. This means the top part will be slightly smaller than the bottom which will give the letter a better balance.
Finally, in this group is letter z. The easiest way to produce this is with the two horizontal pen strokes, thenjoin these two strokes with a diagonal pen-stroke to complete the letter.

Now for the hardest letters; f, g and s. Out of these three letters, f is the simplest. It starts with a vertical ascender stroke – except this is not as tall as the other ascender strokes we have produced so far. This is because we have to allow for the second curved stroke. The overall height of these two strokes should be the same as other letters that have an ascender. Finally, we need a horizontal stroke to complete the letter.
Which will you find the hardest letter g or s? These are trickier because unlike all the other letters we have written they do not relate so well to the grid.
The letter g is made of a circle shape, with an oval/bowl shape under the write-line. You can see the letter g is made of three pen-strokes. The first stroke is just like the first stroke of the letter o for example, except it is a smaller. The second stroke starts like the second stroke of the letter o, but when it joins the first stroke it continues and changes direction in the gap between the bottom of the shape and the write-line. The third stroke completes the oval shape. Finally, we have a little fourth stroke to complete the letter.
The letter s is made up of three strokes. The first stroke is sort of an s shape! The second and third strokes complete the letter s. These are easier to get right than the first stroke because they basically follow the circle shape on our construction grid. The secret to this letter is to make both ‘ends’ of the first stroke not too curved. Because the other two strokes are curved they will compensate and give the overall correct shape.

Finally, we are left with the letters i and j, which are made from one pen-stroke. You just need to remember to curve the end of the stroke when writing the letter j.

As with the Roman Capitals we need to study the proportion of the letters before we pick up a calligraphy pen and make a start with some sample sheets. You will produce much better letterforms by learning the structure and proportions of each letter.

The letters of the Foundational Hand have different widths; the obvious example is the letter i compared to the letter m or w. Each letter can be grouped according to its widths. So, instead of having 26 letters of different widths, there are in fact only 2 groups of letters, plus a few odd sized letters to learn.

The Grid To help get these widths correct we can construct a grid, where each letter can be placed inside. This grid is exactly the same as the grid constructed for the Roman Capitals. It consists of a square and inside it a circle that just touches the lines of the square in four places. Within the square, there is also a rectangle. This rectangle is three quarters the size of the square and is positioned in the centre of the square.

Ascenders, Descenders and x-height

Some of the Foundational Hand letters have ascenders and descenders.  Ascenders are strokes that go above the x-height of the letter.  Descenders are the strokes that go below the write-line of the letters.  X-height refers to the height of letters that have no ascender or descender i.e. the height of the letter x.  I guess it could have been called the a-height or o-height etc.

Groups of Letters

The Foundational Hand has two main groups of letters.

The 3/4 Width Group

The letters in this group are a, f, g, h, k, l, n, r, s, t, u, v, x, y and z.  These letters basically fit in to the rectangle part of our grid, which is three-quarters the width of the square.

With many of the letters in this group you will find that they pick-up and leave the circle, within the rectangle. So, the letter a is the width of the rectangle and the curves at the top and bottom of the letterform are from the circle of the grid.
The letter f picks up an imaginary circle plotted above the grid. The overall height of the letter is the same as other letters who have an ascender – b, d etc.
The letter k is quite easy, but if the bottom angled stroke does not extend further out than the top angled line the letter will look like it is about to fall over.

Letters n, r, t, u, v, x, y and z are straight-forward.  The letters v and y are the same except the second stroke extends to the length of a descender when writing the y.
The letter h is the same as the letter n except it has an ascender. The letter l is similar to the letter b, except it is not as wide.

Letter g is tricky. The top circle of the letter is 3/4 width, where as the oval that sits below the write-line is the full width of the grid. Were it the same width, the overall shape of the g would look odd.
In this 3/4 width group we are only left with the letter s, which by far the hardest letter in the group. When writing this letter, remember the underlying circle shape, which the letter s starts on, leaves and then re-joins.

The 7/8 Width Group

The letters in this group are b, c, d, e, p and q.  All these letters are based on the circle, but none of them are the full width of the circle.

In many ways b and d are very similar as are p and q.
Letters c and e are almost full circles.

Odd Groups

We have 5 letters of the alphabet left to construct, but none of them belong to either of our two main groups.

Letters i and j are linear, except j has a curved descender based on a small circle.

The letter m is simply two n letters ‘stuck together’.  The same is true for w which two v letters drawn together.  This actually makes m and w have an overall width of 1.5, which makes them the widest letters in the alphabet.

Finally, the letter o is simply the full circle.

The six most common writing styles (‘hands’) are explained clearly through step-by-step photographs – uncial, foundation, gothic, italic, sharpened italic and copperplate. Every letter of every hand is drawn out in stroke order and there is advice on letter and word spacing, all shown in clear, step-by-step photographs.

Paperback, 210 x 148 mm ; 96 pages

Start Calligraphy by Maureen Sullivan

Just get started on the first of the 24 one-hour lessons contained in this book, follow the suggestions for practicing your new skills at the end of one lesson before going on to the next, and then continue this process right through to the end. Calligraphy in 24 Hours is a carefully structured beginner’s course where readers will quickly learn the basic principles and then go on to learn beautiful calligraphy in a series of 24 one-hour tutorials.

Veiko Kespersaks is a professional calligrapher and seasoned teacher.

Calligraphy in 24, 1 Hour Lessons

The Royal British Legion

Properties

• Gouache Extra Fine can be thinned with any amount of water; all colours can be mixed amongst each other.

• The paint dries within a few minutes and has a velvety matt and equally opaque finish after drying.

• After drying the paint layer is not waterproof.

We stock nine colours and five Metal Colours

Carefully dry the nibs.