Numbers

Wednesday, October 19th, 2011

Numbers follow the characteristics of the main script. So, they should be sloped and based on an oval shape when written with Italics and round in shape and upright when written with Roman Capitals.

Numbers can be either ranged or non-ranged. Ranged numbers are typically used with Capital letters where there are no ascenders and descenders. Non-ranged numbers are used minuscule text where there are ascenders and descenders.

The method of construction is the same for ranged and non-ranged. We are showing you non-ranged numbers.

0, 1, 2
The first group of numbers have the same height, or body height as minuscule letters. So, for the Foundational Hand the numbers would be 4.5 nib widths tall.
Numbers 0, 1 and 2

3, 4, 5, 7, 9
This group of letters all have descenders, meaning part of the number goes below the write-line.

Numbers 3, 4, 5, 7 and 9

6, 8
The numbers 6 and 8 go above the x-height line.
Numbers 6 and 8

Simon Coleby

Friday, September 23rd, 2011

Simon Coleby is a British comic book artist and illustrator. He has worked for 2000 AD and Marvel Comics (including their UK imprint) since the early 1990s, although he has also contributed to DC Comics titles.

Simon has been a friend of ours at Scribblers for many years and has helped us develop the range of products you can find in our Illustrating section.

A piece of Simon’s artwork was used for the Illustrator Supplies section image:

copyright 2011 2000AD/Rebellion

'Sinister Dexter' copyright 2011 2000AD/Rebellion

http://www.2000adonline.com/
http://www.simoncoleby.co.uk/

Roman Capitals – Serifs

Thursday, September 15th, 2011

Serifs are small strokes added to letters to ‘finish’ the letter.  They can enhance the letters, but if produced badly will spoil the letter rather than ‘finishing it’.

Letter with and without a serif

You need to be careful when adding serifs.  If they are too big they can distract from the letterform and can even alter the final shape of the letter.

Some letters do not have serifs, for example ‘C’ and ‘O’

The most popular styles of serifs are the hook and slab.

Hook Serifs

These are the easiest style of serif to produce.  They appear at the start and/or end of a straight pen-stroke.  It’s important to make these serifs small.  When producing the hook shape it can help to visualise a small circle, which you trace round with the pen.  Otherwise this circle shape can be too big, which will make the serif too large.

Hook serifs are made at the same time as the main pen stroke rather than afterwards.  For example, both serifs on the letter ‘I’ and the letter itself is produced with one pen-stroke.

Hook serifs

Slab Serifs

Slab serifs are small straight lines and are added after the letter has been produced rather than at the same time as the main stroke. So a letter ‘I’ would be made from three pen-strokes.

It’s better to flatten the pen angle for these serifs as leaving the pen at 45 degrees can make the serif look to ‘heavy’ or ‘chunky’.  With slab serifs be careful not to construct them off centre, which will spoil the letter.

Slab serifs

New Website Navigation

Monday, September 12th, 2011

You may have noticed the structure of our website has recently changed.  We felt there was sometimes too much scrolling down the sections.  There use to 19 sections at the top of the shopping pages.  We have now reduced these to 11 sections. They still exist but have been re-located under more relevant headings.

So, now if you want Calligraphy materials and equipment you will find them under the heading of Calligraphy Supplies.  If you are looking for Illustrators materials you will find them in the Illustrator Supplies section.  Some items, in particular nibs can be found in more than one section if they are suitable for calligraphers and illustrators.  Other products like pencils, rulers etc. are used by different artists and so are in more general sections like Drawing Equipment.

Over time we have posted lots of articles on our blog about different aspects of calligraphy.  The Calligraphy School is a new section which pulls together some of these posts on calligraphy.  So for example, all the posts on learning Roman Capitals can be now be easily   found in one place.

Calligraphy School

CLAS Regional Day 2011

Friday, September 2nd, 2011

This year, the CLAS Regional Day is being hosted by the Oxford Scribes and they have invited us along.

CLAS Regional Day 2011

The theme of the day is East meets West and the keynote speaker is Manny Ling.  There will be the opportunity to watch skilled demonstrators and try your hand at something new.

Local calligraphy groups have organised an exhibition of their work.

You will be able to purchase calligraphy equipment, materials and books.

The Regional Day is Sunday 23rd October, from 10:00 to 4:00 pm

at Burford School, Burford, Oxon OX18 4PL

Download a EAST meets WEST ticket application

(Closing date for applications is 1st October)

3rd Mercian Scribes Exhibition

Tuesday, August 16th, 2011

Friday, 9th – 30th September

During Library hours Wirksworth in Library,  Admission free

At the Wirksworth Festival this year, the Mercian Scribes will be exhibiting calligraphy  on the theme ‘Letters, Words and Language’.   Many pieces will be partly or totally in another language.

Peter Halliday,  an internationally famous calligrapher and lettering artist, will be exhibiting some of his work and also bringing Pearl Margarita, a pig decorated with imagery from the St Chad Gospel book, with a Latin and English quote written on her –‘ Do not cast your pearls before swine’. NB she will only be at the exhibition for the first 2 days ie 9th and 10th September.

Pearl-Margarita-Pig


Library opening hours –

Saturday 9-1 pm      Tuesdays 9-1 and 2-7pm.

Thursday and Friday – 9-1pm and 2-5pm

Monday and Wednesday – CLOSED ALL DAY

 

For more information please contact :-

Peter Halliday, tel. 01283 568320   Or Gill Cooper   tel. 01335 370459

Or Wirksworth Library,  Town Hall, Wirksworth, DE4 4EU  Tel. 01629-823173

New Blog Address

Thursday, August 4th, 2011

We here at scribblers are always thinking of ways we can improve interaction with customers and fans.  Because of this we are announcing a move for the blog!

You can now find our blog at: http://www.scribblers.co.uk/blog

So please update your bookmarks and RSS feeds.

Website update etc

Wednesday, July 20th, 2011

Over the next few days we are doing a lot of ‘back office’ stuff including stock take, software upgrades and website work.

So orders placed from this weekend until next Friday will not be shipped until Saturday 30th.  Thank you.

Roman Capitals – Letter and Word Spacing

Tuesday, June 28th, 2011

Many calligraphers put all their effort in to producing correctly proportioned letterforms.  Whilst the letters are very important, bad letter and word spacing will distract from the lettering.  Can you imagine looking at a piece of work with beautiful lettering only to be distracted by poor spacing? Spacing can make or break a piece of work.  It is advisable to spend much time learning the correct spacing for the style of writing.If you learn the spacing rules early on you can apply them whilst you are practising your letterforms.  So instead of just writing one letter after another, you also think about where the second letter being practised should start relative to the previous letter.  Spacing rules vary with different styles of writing. With Roman Capitals the space between letters should be such that there is an equal area between the letters.  Letter spacing should be adjusted such that the area between any two letters is equal.  There should be an even-looking space between and around the letters.

Letter Spacing

 

Two straight letters are furthest apartTwo straights spacing

If you start with two ‘straight’ letters N and N, there will be an area between these letters.  The two straight letters are 5/8 the height of the letter apart.   So, if you had an x-height of 10mm the distance between the straight letters would be 6mm.If you produced these letters on a piece of graph paper you could add up all the (millimetre) squares and you would know the area between the letters.

A straight and a curved letter are slightly closer togetherStraight and curve spacing

The distance between a straight letter and a curved letter is adjusted such that the area between the letters is the same as two straight letters. For example, a curved letter O will be will closer to the straight letter N than another straight letter. Why is this?Well, remember, we are dealing with the area between letters and so we have to allow for the space at the top and bottom of the curved letter. All the partial squares along with the whole squares created by our two letterforms needs to add up to the same number of squares (area) as our two straight letters.

Two curved letters are closest togetherTwo curves spacing

When writing two curved letters together, for example O and another O they will be close together.  This is because we need to allow for the area above and below each curved letter.  Keeping with the graph paper idea we now have lots of partial squares created by the curved shapes.  However, if we could add all these fragments up, it should still be the same area as the two straight letters.  Some combinations of letters are relatively easy to space, other letter combinations are more difficult. The problems start when you have letters, for example, C followed by a Y or an E next to a J. With the type of combinations you have to consider the space inside the letters. In practice this means some letters are written very close together.  Examples include ‘TT’ ‘RY’. This is because the letters have a lot of space associated with them meaning if the spacing rules were applied there would not be an evenness of space.  The letters are close together because the eye reads part of the space within the letter area together with the interletter space.

Word Spacing

The letter O is used as a guide for the inter-word spacing.  However, this will also need adjusting depending upon the last letter of the word and the first letter of the next word.  This can result in the word spacing being reduced to compensate for the space around some letters.

Pocket Sharpening Stone

Monday, June 13th, 2011

This pocket size sharpening stone is ideal for sharpening edged calligraphy nibs as well as small blades and knife blades. Size: 100mm x 25mm x 6mm